THIS IS WHAT JESUS TOLD ME
(Excerpted
from 62 pages)
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Goats stand in formation
Hallelujah!
God is my witness
Goats stand in formation
On my favorite hill
The white-washed walls
Of my lover’s house
Burst into verse
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Lying by a tree while God passes over
Look away while I tell you
First of all
There were many trees
They were all dead
And we were chained to them
Look away while I tell you
And five men in coats
Told me to come to their table
That I did
Do you remember?
You were there
Lovely
Your teeth in such pain
We bit off the bread together
Your lovely brain always working
Your dogs always howling
Where are you?
Then I told him
Look away from me
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Forgetting
Heroes think of where they
can go after dark
Because they are lost in
their knee socks
Is what a little girl told me
I thought it was so cute you
are my mother
She said of course
I wasn’t but still I thought
I would try to prove to her
that not everyone
Had to die like I did every
night
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Baroque
He never looked into my eyes
And said I would die
For you
So I killed him
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It shines too bright
There is no way to get out of this. You have to ring
The bell, please. Ring it. Kiss my hand, please.
Next, shoot that bird. Now. Shoot it. Claim your weapons.
Advise God. Taste something for him. Build walls.
I fancy blood. That is what dolls do. He loves you. Do it.
There is a way to get out of this. Do it. Blush on meeting Him.
You can do it. St. Peter? Skip him. Go straight to Him. Beat it.
Down goes all the water. Into the toilet. You did not swallow
something too big. You did not bite off more than you could swallow.
You did leave her, however. You did kill her by leaving her. Did you
know that? As you stand in the potato field with your big arm around
your small wife. Are there crows? Do you both sit at a long table as
the light fades? Eating figs? Are you still lost? You did kill her,
you know. Come to him—or leave Him. These things bleed upon
touching. These things go haywire. Some things are not meant to be
touched but I want you to touch me. Can you? God says say pretty
please. And you could please anyone. I like them tall. God is tall.
He tells me to look out there. Out there! And tell Him what I see. I
see thee, instead. Ignoring Him. I am invisible. There is not one
man who wants to take down my pants. Who wants to lift up my shirt.
And feel a tick-tocking heart. That’s because there is no heart. He
took it. Not Him. The other. Back to where we started. Advise God to
start feeling something. Do something about your hair. Turn the
light off.
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Chicken
Now I am alone in this room with a light that pierces the backs of
chairs that sit still for me. I can come to them in quiet and say.
Lie down your flat surfaces, show me where you keep the fish. The
old man downstairs? He meets me in the hall. He creeps closer. He
wishes for my fish. I am not his cook or his whore. But in that
darkness he reminds me of you. Your thousand arms. The way you would
come. Was your mouth ever open? Did you ever moan? We would drive in
a car down a country lane. That’s all I remember. And then I stumble
forth with these words. Over and over. So, that’s why tonight I am
as black as a night sailor adrift at sea not even caring about
direction.
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This is what jesus told me
First of all to stop cutting down the fields where the grass grows
high. I tried to explain that I didn’t cut the grass. I only cut my
own skin. He said why argue? It was cold outside and I offered him
my sweater. Thinking back, of course I did not offer my sweater but
I would like the record to remain that way. Jesus was
handsome—especially with his shirt halfway unbuttoned. He explained
that if he had married me we would have, by now, a three-story
house. A story for the father, a story for the son, a story for the
holy ghost. A live-in flat where we would eat pancakes and discuss
holy law. I loved the notion of it. But can you make me happy? I
asked. He looked at me the way a field looks at a herd of cows that
is trampling its grasses. Happy? Before he could answer, the skies
split open. A voice thundered. If you don’t stop right now, you will
both have to go to bed early. I love this being lost in voices.
Jesus said nothing. But I knew. He was keeping the best for last.
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In the tower where the
fighters fight
The bloody Arabs are bleeding
again. Anything to keep the words that are being told to me in the
telephone from sticking. I am quitting cigarettes, it says, and your
father needs to stay with you for a week. The Arabs are heaving
themselves into the walls of the mosque. They are blowing up. The
Jews are, too. Their necks twist in the Jerusalem wind. God leans
back against a filthy window and takes a cigarette from his pocket.
Shit. Fuck. Apples on trees around him grow. What a miracle!
Soldiers stick out their hands to help their injured buddies.
Nothing works unless we take a step back and not look at it.
Then, everything works. What I am trying to say is, despite the
fighters in the holy tower who are keeping the enemy soldiers at
bay, despite them, I will enjoy the beginning and the end of this
day.
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Where beauty ends
Your wrinkled hand reaches for my glass. I can hardly look. Once
your hair shone white! Your face made men weep! Now, even God takes
a step back. Is this something I made? I think of the city streets I
found so beautiful. Knee-deep in filth. We swam in the debris. Swam
in the debris! Now, your hand reaches for my face. A monster’s claw.
Thank god it’s my own or I would scream. What happened to me?
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What Napoleon smelled like
Not like death but like the
rain that still sticks to the edge of a woman’s hat as she says
goodbye for the last time to her condemned husband. Like the angry
welt that melts in your mouth as you lick clean the spoon that feeds
you. Like the dying brother, like the glowing hot ball of sun, like
your neighbor’s hands as he gropes the filth you keep hidden in your
pants. Don’t tell his wife or their children will wither. So says
the mad woman who walks the streets. I could laugh if only I had
laughter left in me. This is the end. Says some priest to some woman
with heavy breasts who is begging to be beaten in his church with
his Damned Stick under His Damned Roof. Some roof. I could die under
this damn ceiling.
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Reporting from Baghdad
It’s like a black smear of
gum to suck I told the girl with the face of a child. It’s like
don’t you know to just shut up and be like any sailor? We could run
on waves, bucking the whales, spitting out goldfish on our wicked
ramble! Brace yourself for the captain’s entrance! O, the captain.
Whose tongue is our necktie. Whose eyes stick from heaven with their
briny shadows. His teeth are truth. His lips tell the story. Of this
thing we call, er, glory. It will be him who unbuttons your buttery
shirt, who unravels your white neck, who peels the red from your
very heart. I knew him, my mother knew him, and you will know him.
Trust him not. Of course, we go to church, wheel our babies and
grandparents past the green parks where all is well, is it not? I
kneel in this knell knowing well that….my rhymes peak the tip of the
hat you will wear to the wedding where she stands parked for you to
place in your own story. And love her not.
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And with this gun to my
head I sang
Because what else is there to
do? I stand on stage, an 80-year-old woman still with heat and a
throat on fire, still with blood. Look! There on the couch. One
man’s head leaning over. Her thighs puffed with desire. O, how her
heart hums. Silly thing who will soon be thrown overboard, says the
man on watch, the man with the clock stuck in his throat. They will
not go down without being lost forever, reports the angel on god’s
shoulder. The angel on god’s shoulder? Is this the final word?
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Bow
before me and declare your love
Bitter photograph, stupid piece of toast, ugly city. I walk though
Paris, Detroit, Milwaukee. Their rivers are riddled with bodies and
old wives’ faces and husbands’ broken penises. That’s how it goes.
We are long-ridden elephants swinging our ridiculous trunks. I want
to wear a ballerina’s shoe. Pure white and inside my own head.
Perched foot that prances. Elbow out, head in the clouds; I want to
dance in this black box. Well, says something to something else. We
all want but we cannot get what we want, can we? Never, says the
other thing. Even one dance? Her voice, all crumbled like eaten cake
on a Sunday morning when the family has finally escaped and the
house sings to itself in its delight. Even that, says the frozen
mouth. Even that.
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But what
about this beating heart?
We see before us a sheet of wall. Heads butt and break and the
policeman declares a strike. In prison, I find you. Hung up from the
rafters! Gorgeous eye that opens! Your pen still in hand. White
hand. Black eye. Your mouth slightly open. I touch your jeans. I
touch your thighs. Like a chicken’s, so light, so blue, so good to
eat! You died like a hen, you tell me. Cluck! The clock stops. Where
am I? This dream has no beginning and no end.
And this neck whose pulse is thick?
There is a stream of riddles, says a man with gloves. His corner is
well known. Hat on high. Can I jump in I ask. But there is a horse
in the way. And a meadow. And a mother. And a kitchen. And a sofa.
And her with him. And you with them. And Nazis and girls with blond
hair. And pianists and poor ill faces that break into tears and song
all at the same time. This dream, this world, this veil. Is it too
hot? Too cold? Am I dreaming, then?
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And the warm body of you, of you!
His bones put away, we concentrated on the mountains in front of us.
As we sipped golden wine. A narrow heart, said my companion to the
wind. And I saw noble Indians bowing to pick up their hammers. And I
saw Frankenstein and dolls naked. And I saw women with wires and men
with hats. The wires led to hell. Hellish connection, they had. I
ate cake. I sniffed in the air, watched one brother die, the other
fall in his garden. I saw the smoke from my own house overtake every
neighbor. And when I was ready, I, with pen in hand, declared it is
over
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O, this world
Mountains open their legs to us. They do! Silvery streams and
yellow-haired woodpeckers that pick from between their thighs. O,
lovely green marsh and nightmare creek. Where dead squirrels are
eaten by perfectly normal woodchucks. I would like to dance there.
In that space. Anyway, I was speaking about a ghost that often
visits me. Midnight and my heart hammers. Like sobs, like bubbles,
like goldfish drowning. This bowl! I rise to dusk and dawn, married.
There flies the fawn.
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A brother dying
In yesteryear, I ate a frozen cone. Blue vanilla and raspberry. My
father fell down steps and cried. His head a joke for the family.
That was then. The ice cream truck, the stern blonde mother, the
German shepherd who raced in the streets, the boy with no blood or
heart, and the swimming pool where all life stopped. That’s where I
say we should meet again. Me in a white bathing suit, you in your
little boy trunks. Little tiny shoulders, brother. Put your arm
around me, eat all my ice cream here, where I can rest.
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Much better when I don’t
think of things
Feel his stumble of a finger; I hate it! It’s a clown thing,
something that belongs in a circus and I am a queen. She says this
but the sky is forsaken. Her hotel burned down. Her ball gown taken.
All the boys have gone. The summer, too. Winter is there—across the
lake. What made her brown eye turn blue? She knows all the words. I
will take you, I will take you, I will take you. But now this bum,
his legs missing, tatters of a hat, says to her: I am all you got.
Thank god for god. Who later takes her.
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She weeps and then stops weeping
How can that be? Your breath that seems like ice from this
hilltop is not even cold. We are shivering in our huts and your
house is on fire? Funny thing. So, the people sing their songs
hoping to be heard but all that is heard is one rain drop falling on
one heavenly hovel where one tiny woman spills ancient oil on one
hot pancake. Is this her last pancake? Never! She will go on and on,
says the wise man who loves all and herds goats for a living. She
will go on. And in our pretend kitchens we paint pink walls to
celebrate the coming of happiness!
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